No, I've never met Michael Jackson, but it's an assumption I feel that I can make, without any reservation, since the question was, "
Would you allow your little boy or teenage boy to spend the night with the late wacko jacko," not the living breathing wacko jacko.
Since I don't believe in Zombies rising from the dead after two autopsies, 9 days of being in a cooler, and having been embalmed, I feel that Jackson would present no issue of safety whatsoever. He is, quite literally, inert.
As for genius, sorry LOS, but Jackson is right there with the likes of Bach, Beethoven (who were the pop musicians of their day, incidentally, since that's when then term "popular music" was coined to mean "secular", since at that time there were two kinds of music: holy (or religious or spiritual) and secular). The primary definition of genius is an exceptional, almost unnatural capacity of intellect as manifested in the creative and original works of science, art and music, literature, philosophy, and mathematics, but it certainly can apply to other endeavors. It originates from the
tutelary deity genius, or supernatural divine guardian spirit, which causes one to become peculiar of character, mind and animated spirit, as compared to the rest of us mere mortals. The origin and its applied definition fits Michael Jackson as perfectly as it fits Bach, Beethoven, Mozart, The Beatles, Albert Einstein, Stephen Hawking, George Smooth, Robert Johnson, Charlie Byrd, Miles Davis, Duke Ellington, and John Coltrane.
All of these people, including Michael Jackson, viewed things in extraordinary ways, and did extraordinary things, and all have a profound influence on those who came after them. Jackson's genius showed itself so many times and in so many different ways: the subtle snap of a finger or the stomp of a foot at a most unexpected but perfect time; what he did with musical phrasings and cord progressions; a complete reinventing of the entire concept of presenting a song, not once, but many times, and did so, completely, for every possible venue in which a song can be presented: he did countless things with dance and choreography that no one every thought of, and in a couple of cases, no one thought possible (he was granted an actual patent for one of them); he reinvented recording and production techniques that are in common use today; he forever changed music videos with not only the long form of theatric music videos, but in how they were done, an influence that can be seen or felt in everything from music videos to television and theatrical motion pictures. His genius was so pronounced that even his
worst tracks are still, to this day, better than anything you're going to hear on pop radio today. Most pop music is disposable, here today, gone and utterly forgotten tomorrow. Not Jackson's music. Like the classical masters and the Beatles and a few others, Jackson's music will be forever influencing the music of others.
There are like 7 universally recognized unsolvable mathematical problems. A strong contender for #8 is the Moonwalk, flat out one of the coolest things ever.
If you want to get s glimpse of the mind of pure genius, spent a couple of hours listening to Mozart, then maybe an hour or two of John Coltrane, and then listen to the nonstop brilliance of the "Off the Wall" and "Thriller" albums back to back.